Monday, November 9, 2015

MODERN MUSICIAN: A CONVERSATION WITH MODERN MOD'S ALIVIA KLEINFELDT-SIDE THREE

SIDE THREE: VISUAL AESTHETICS, PERFORMING LIVE 
AND GENDER POLITICS

There seems to be a strong visual component to the overall aesthetic of Modern Mod from music videos, photo shoots and the like. Was that intentional?
It’s pretty unintentional actually. We, for the longest time, had been going back and forth on finding a certain “look” and we struggled to figure out anything cohesive, so we just sort of had a general consensus on when we should look “nice” or just to wear whatever we want, and it sometimes wound up working pretty perfectly that we’d match. For the videos and shoots, we usually would bring a lot of clothes and decide what in our wardrobes would go well with everyone else’s, so there’s a little more planning in situations like that.
On the set of the "Papercuts" music video-November 2, 2014
What was it like to shoot your music video for “Papercuts”?
Shooting the music video was a ton of fun, but very, very cold. That happened with our “Monday Mornings” music video too; we never fail to choose the coldest days. But, it was a really cool experience, just messing around at the top of a parking ramp with some friends and making a video out of it.
The fun certainly translates! Now, how about that television commercial that premiered this summer? Very cool!!
The commercial was again, just making a video of us goofing around, so that was a lot of fun as well. The directors had some ideas planned for us to try out, but mostly just let us do our own thing. I’d always wanted our music to be in a commercial, so it was a plus that we were in it too! It was filmed for an eyewear event at a store in my hometown of Verona, so I was pretty famous around town for a while –haha!!
Returning to live performance for a bit, what is your favorite song to perform live and why?
It’s hard to choose since it changes pretty often, but I’d say as of right now I really enjoy playing “Papercuts” because it’s a fun, bouncy, upbeat song and it’s one of my favorite bass lines I wrote. It’s just a really easy one for me to get into when performing.
Outside of Madison, where has Modern Mod performed? Favorite show? Worst show? -We’ve played a few times in Milwaukee, Appleton, Eau Claire, and we’ve also played out of state in Minneapolis and Chicago. My favorite show was this past spring when we played the Rathskeller. It was one of our biggest crowds, and it was Emily’s sister’s birthday, so we invited her up to sing “Come Together” with us and everyone really got into it.
I’m not sure if I have a “worst” or least favorite show, but several times, my strap locks have failed and I’ve almost dropped my bass on stage, and at a recent show I snapped a bass string during our first song, but luckily someone lent me their bass.
What does it mean to you to be a working musician in Madison? Pros and cons?
Madison has been so supportive of us, especially since we started so young and weren’t old enough to be in most venues. We were given a ton of opportunities to grow and develop as musicians, and I feel like people really gave us a chance despite our age. It was really difficult to get our friends out to shows most of the time because we were playing in 18+ or 21+ venues, and even if it was an all-ages show, most kids didn’t go out on school nights. It was harder for me in particular because all my friends had to travel from Verona to Madison somehow since there are no venues in or around Verona.
Modern Mod performing live from WSUM-FM studios-Summer 2015
You have also had the opportunity to perform live on the radio. What is that experience like compared to a regular concert?
We’ve played a few times on the radio and you need a whole different kind of focus since it’s all about the music itself. No distracting from my mistakes! But, I think it’s a nice change of pace and we can just really focus on each other.
You literally brought the house down at the legendary First Avenue club in Minneapolis!! All kidding aside, I was stunned when I heard the news of the ceiling collapse the morning after Modern Mod had just performed there. What was that whole experience like for you?
It was crazy! First of all, the whole venue is historic. The walls are lined with the names of some of my all-time favorite musicians that played there, including Prince, who made the place pretty famous. We got to play at the smaller venue, 7th Street Entry, which kind of reminded me of a few really cool venues I’d seen in New York.
This was night one of two for us playing with the bands What Tyrants and Stereo Confession, both great bands out of the Twin Cities, and another band Brendan and I had been fans of for a while, Fury Things, opened the night. We played second and the crowd was very receptive of us for being an out of town band, which was so nice because you never know what you’re going to get in another place, but the Twin Cities has an amazing music scene that seems very supportive as well.
But, things got crazy after Stereo Confession started. Their set was cut short by the sound engineers and the venue’s security guards were telling everyone to evacuate the building immediately. I thought it was part of an act at first, but it turns out a water pipe broke in the ceiling at 1st Avenue and pieces of the ceiling collapsed. Luckily, only about three non-serious injuries occurred, but there were cop cars, firetrucks and ambulances lining the street, and it was very hectic. As we were leaving, a security guard ran after to me to assure me that this has never happened before and that he loved our set, so that was pretty sweet.
It’s pretty wild we got to be part of a night that made national news. Also, we went to a Perkins for breakfast at 1am, and the waitress kept sitting down at our table with us to hide from her boss, so it was the perfect cap to one of the strangest nights of my music career.
I should think so! I remember hearing the news the morning after and just thinking of you and the band having been there the night before, wondering if all of you were alright. I’m glad that you were all OK. With all of our talk about live performances, I feel compelled to ask you about some gender politics.
As a young woman who performs in a mixed gender band as opposed to the typical all male band, have you ever personally encountered any discriminatory oddities or treatments (either large or small) when performing live? Have you perceived any differences that you otherwise would not experience if Modern Mod was an all male band?
It’s definitely not the same to be a girl or woman in a band. We’ve experienced our share of unique treatments, from “compliments" about how surprised people are that we can actually play instruments so well, to uncomfortable sexual remarks, and flat out discrimination from people in the industry.
We entered a battle of the bands contest and were treated so poorly by a judge and the organizers, and from them, we received nothing but condescension, illegitimate criticisms, and an overall sense that we weren’t wanted in the competition.
What happened?
We were supposedly disqualified- although we were never officially informed of it- for a stunt we specifically cleared permission for, although a guy in the winning band also did the same thing. It left such a disgusting taste in our mouths to feel more than deserving of at least some sort of rank in the competition. But instead, we had to listen to a judge talk mostly about our appearance, how we basically are the band The Go-Go’s, and receive “You’re just not there; there’s just something that’s not there” as our only criticism. And as 14 and 15 year olds nonetheless. That was an extreme case of sexism we experienced, and sadly we aren’t the only ones who’ve gone through the same.

I feel like there’s a different set of expectations for a female musician, a lot having to do with appearance and attitude, but also more assumptions made on our capabilities, such as people assuming that it’s not actually us playing our instruments on our recordings. I could go on forever because this topic is incredibly important to me, I definitely focused more on the negative here since it’s still a prevalent issue. But I want to say that I absolutely love being woman in music. We’re overall in such a supportive community and I am very motivated from both the negative and positive aspects that my role comes with.
You know, taking the time to address the issues that you have been faced with personally I really think could go a long distance in creating a larger understanding of these specific issues within the music industry. Since this is your forum, is there any advice to other musicians (female and male) about how to persevere within the industry regarding the discriminatory treatment of female artists and musicians?
My best advice to everyone is to take a moment to really think about the comments you may make to or about a female musician, or any musician for that matter. Think about if they are appropriate and legitimate-meaning they’re not degrading the artist based on their physical appearance, and they’re not taking down a whole group of people to “compliment” just one person. “Chick bassists are so hot” and “Usually girl bands suck but you were actually really good” are both unwanted, generalizing comments I’ve received, and although they’re trying to be complimentary, they’re still offensive and/or uncomfortable to hear. The best thing to do is just to think about if your compliment to one person comes at the expense of another, and that it’s not likely going to make the person uncomfortable.

And as for the girls and women dealing with sexism in music, there are many ways you can handle these situations, it just depends on what makes you feel good and comfortable. You can try to confront anyone giving you a hard time, or try to help them understand what they’re doing that’s hurting you and/or any other women. But do what makes you feel better about the situation. Sometimes you just can’t win with certain people, but never, ever give up on your musical dream because there is such a strong support system out there, of men and women, working together to support female musicians.
 
Stay tuned for the fourth and final installment of this exclusive series as Alivia takes on the Synesthesia "Speed Round," addresses the future of Modern Mod, speaks about her new band Dash Hounds and shares some final thoughts.

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