SAVAGE RADIO PLAYLISTS NOVEMBER 2015: WVMO 98.7 FM-THE VOICE OF MONONA

SAVAGE RADIO: PILOT EPISODE #1-AIRDATE NOVEMBER 11, 2015
1. "Turn Me On" performed by The Tubes
2. "Extrovert" performed by XTC
3. "Do You Feel Loved" performed by U2
4. "On The Radio" performed by Cheap Trick
5. "The Moment" performed by Tame Impala
6. "Tutti Frutti" performed by New Order
7. "Y Should Eye Do That When Eye Can Do This?" performed by Prince
8. "Gentle Ben" performed by Post Social
9. "Playboy After Dark" performed by Imperial Drag
10."Monday Mornings" performed by Modern Mod
11." All Lovers Are Deranged" performed by David Gilmour

SAVAGE RADIO: PILOT EPISODE #2-AIRDATE NOVEMBER 18, 2015
1. "The Wake Up Bomb" performed by R.E.M.
2. "Mystery Achievement" performed by The Pretenders
3. "Compass" performed by The Cold And Lovely
4. "Growing Up" performed by Peter Gabriel
5. "Real Man" performed by Todd Rundgren
6. "Go Jetsetter" performed by The Postmarks
7. "Breaking Up The Girl" performed by Garbage
8. "Many Shades Of Black" performed by The Raconteurs
9. "Blackout' performed by Sloan
10."Let My People Go" performed by The Pursuit Of Happiness
11."Tomorrow Never Knows" performed by The Beatles

SAVAGE RADIO: PILOT EPISODE #3-AIRDATE NOVEMBER 25, 2015
1. "Radio Nowhere" performed by Bruce Springsteen
2. "Outta My Mind" performed by The Arcs
3. "Situation" performed by Ric Ocasek
4. "Army Of Me" performed by Bjork
5. "Too Cool Queenie" performed by Stone Temple Pilots
6. "Breathe" performed by Jen Hannah
7. "Dublin" performed by Prefab Sprout
8. "Prayer" performed by D'Angelo and the Vanguard
9. "Sean" performed by Foo Fighters
10."Tina Toledo's Street Walking Blues" performed by Ryan Adams
11."It's Late" performed by Queen

WSPC'S SESSION NOTES FOR DECEMBER 2015: NEW ADVENTURES IN SAVAGE RADIO ON WVMO-FM

FROM THE DJ's STUDIO DESK:

And so it begins again.

At this time of writing, I your humble DJ, has begun a brand new stint as a real world disc jockey, therefore officially returning me to the airwaves. Unlike my college years with WLHA-FM with its one half of one watt, FM mono frequency, or through my visits to 'LHA's successor WSUM-FM with the annual Resurrection/Reunion weekends over the past three years, I now have my own weekly space upon a real world radio station once again and this time, there is the true potential for being heard in ways that I have never been heard before.

The station is WVMO-FM, a new community radio vehicle, a little over four months old, and located in the Monona, WI City Hall building, which itself is just across the street from the Monona Public Library. On your radio dial, that is, if you live in Monona or Madison, WVMO can be found at 98.7 FM. Or, if you find the station's website, you will be able to either listen live via an on-line stream or you are also able to download an app to your smartphone, making you able to hear the station essentially anywhere you travel. Unreal. Just unreal.

My weekly space upon WVMO-The Voice Of Monona is a 60 minute program which I have entitled "Savage Radio," and the musical content is precisely what you already find upon my mythical WSPC. Yet, unlike searching for links from You Tube and pasting them upon my Facebook page to create "sets" of music one could listen to, Savage Radio consists entirely of music from my own collection and after doing three shows, I am seeing that I am able to play perhaps 11 songs per show, with three official sets which are interspersed with two breaks which contain not commercials but news, items and public service announcements that pertain to life and activities within Monona.

When I began participating in the WLHA Resurrection/Reunion weekends, I was informed by one of the then student DJ's and even as recently as this year by WSUM DJ Randy Ballwahn, who hosts the EXCELLENT weekly two-hour speeding bullet of a radio show entitled "Freak Scene Radio" on early Friday mornings, that 'SUM is a community radio station as well a station primarily geared for the college students of the University Of Wisconsin-Madison. In many ways, it was a most tempting offer to ponder as being a DJ upon WSUM would bring my life in radio full circle, as I would essentially be returning home, despite the change in call letters.

Yet, even as I tossed my name into the proverbial hat, I still somehow felt that perhaps, it just would not be quite right for me.Yes, 'SUM is home and will always remain so but even so I do believe that it is a place for the students first and foremost and I would have hated to potentially take something away from someone else who had never had the opportunity to do what I have already been blessed to do. So, as preliminary semester station meetings passed by, especially as my school duties took precedent, I surprisingly did not feel sad about another chance possibly slipping away. It just felt right. No matter what, I would still have the 'LHA weekends in the summer for as long as 'SUM decided to host them, and maybe that would be enough. And it was fine with me because, I did it for four years. It's now someone else's turn and furthermore, if some new opportunity were to arise, I just wanted to be sure that it was as organic as possible. Then, and only then, would it feel just right for me.

And then, I saw the article...

In the September 19th edition of the free weekly newspaper the Isthmus, I stumbled upon an article entitled, "A Voice For Monona" and subtitled "A new low-power radio station gets residents talking." Within the article, I learned about the new FCC licensed station, which serves a seven mile radius and by now, must have over 50 volunteers.

Under the leadership of our Program Director, the Madison radio veteran Tom Teuber as well as Media Coordinator Will Nimmow, the goal of WVMO is to provide a variety of content from live and pre-recorded material which features local news, and live sports coverage, to programs that spotlight LGBT issues, Hmong culture, science, religion and spirituality, fitness, storytelling, education tips for our youngest community members, and of course, music, which so far features programs like "The Prog Rock Hour," "Vintage Vinyl Hour" and even a two hour late Sunday night broadcast devoted to live material performed by Phish. The bulk of the musical content at this time is a programmed stream of artists that fly under the banner of Americana music, a format not typically broadcast.

Even with the strong and vital presence of both WSUM and the long running Madison community station WORT-FM, WVMO already sounds unlike anything else upon the radio dial, and to me, that is a decidedly attractive opportunity to pursue. To potentially be near the ground floor of a new venture that is currently in the process of defining and establishing itself in the Monona and Madison community. I felt compelled to inquire as to any possibilities of becoming involved.

Truth be told, everything occurred faster than I had anticipated. I sent an e-mail to Will Nimmow, explaining how I had seen the Isthmus article, described my history in radio and asked if there may be a way to become involved and add my voice to WVMO's larger voice. I was then invited to a staff meeting at the Monona Public Library, after which I was invited to see the station itself, which is much smaller (essentially a box shaped room with an adjoining tiny office space) than the WSUM studios, which I often express looks and feels like the Starship Enterprise, but still possesses state of the art equipment for usage and broadcasting. In some ways, and unlike the expansive 'SUM studios with is wonderful vistas of the UW campus and Lake Mendota directly outside the windows, the 'VMO studio feels quite cozy.

And besides, having John, Paul, George and Ringo's collective eyes regarding the proceedings, I felt instant comfort.

During my visit, I met a few of the already working volunteer DJs, all of whom were immediately welcoming. Will Nimmow and I arranged to meet the following week for a training, which was mostly a "talk through" the boards and procedures as the host of the "Vintage Vinyl Hour" was on-air and WVMO does not possess a separate studio to practice in. I tried to keep my expectations low, in the event things would not line up as I was already hoping, but then Nimmow invited me to come back the following week to perform my first live show, while he worked nearby inhis office in case I had questions or concerns.

My live debut occurred the evening of Wednesday, November 11th and over the following two weeks, I returned for a second and third show, with Nimmow's decreased presence (that third show was completely solo). Dear readers and listeners, it felt so WONDERFUL to be back behind the boards!!!! It felt so right, so natural and just incredibly fun!!! Yes, I still find myself completely nervous when it is time for me to speak on-air, and I am always trying my best to sort of find my voice, which I hope sounds engaging and nice to listen to, as well as a natural flow to my words, which always seem to be on the verge of failing me. If I have a few little notes on my notepad, where I catalog my playlist, I feel more grounded.

After some encouraging words from Nimmow, and three weeks on the air, I have now been granted an official airslot for Savage Radio, which will be on Wednesday evenings from 7 p.m.- 8 p.m. This was the organic opportunity that I had been waiting for. It all has been very pleasant, accommodating and with the station being a short 10 minute drive from my house, rather than driving into downtown Madison for the 'SUM studios, this new transition in my life feels to be an especially good fit so far. I sincerely hope that it is able to continue for a long time to come, and I also hope that the 'VMO powers-that-be feel that what I am able to contribute fits well within the aesthetic they are trying to cultivate with this new venture.

WLHA/WSUM will always be my home and I will forever pledge my allegiance to them, with regards to their history and their future. But, hopefully WVMO can be another home away from home for me, as I continue to live out my childhood fantasies. With Savage Radio, I hope that I am able to craft an enjoyable, entertaining and unpredictable show, that is as left-of-center as it is accessible. I am hoping that it will be blissfully melodic and beautifully loud and that if you do choose to check it out, you will be happy enough to return the following week to hear even more. Additionally, Savage Radio now has an official Facebook page (so please visit and "like" it) and I will also post show playlists on Synesthesia, alongside the content you have already seen and loved!

THANK YOU to WVMO for giving me this chance to have some radio fun again. I hope this is the start to a lengthy relationship and most of all, I sincerely hope that you choose to listen in. I am anxious to hear what you think!

WSPC PLAYLIST NOVEMBER 2015

November 1, 2015
"November Has Come" performed by Gorillaz
"Gone Til November" performed by Wyclef Jean
"Alligator" performed by The National
"November Sun" performed by Susannah Hoffs
"November" performed by Azure Ray

November 2, 2015
"Four Day Creep" (live) performed by Humble Pie
"Sleeping In The Ground" (live 1969) performed by Blind Faith
"Although The Sun Is Shining" performed by Fleetwood Mac
"Activation/Glorious Om Riff" performed by Steve Hillage
"Daydream" performed by Robin Trower

"In Preparation" (live at Bright Red Studios 10-30-15) performed by Dash Hounds-WSPC PREMIERE
Unknown titled song (live at Bright Red Studios 10-30-15) performed by Dash Hounds-WSPC PREMIERE
"On Any Other Day" performed by The Police
"Dance This Mess Around" performed by The B-52's
"No More Words" performed by Berlin

"Butterfly Collector" performed by Garbage

November 3, 2015
"My Sister" performed by The Juliana Hatfield Three
"Monday Mornings" performed by Modern Mod
"Runs In The Family" performed by The Pursuit Of Happiness
"Unsatisfied" performed by The Replacements
"2 Days 'Til Tomorrow" performed by Paul Westerberg

November 4, 2015
"Gimmie Some Truth performed by John Lennon
"Love Goes On!" performed by The Go-Betweens
"When I Say" performed by Badfinger
"Everybody's Gotta Learn Sometime" performed by Beck with Jon Brion
"Humdrum" performed by The Dream Academy

"All The Critics Love U In New York" performed by Prince

"A Farewell To Kings" performed by Rush
"Jesus Of Suburbia" performed by Green Day
"Starla" (live 2008) performed by The Smashing Pumpkins

November 5, 2015
"I Have The Touch" performed by Peter Gabriel
"Senses Working Overtime" performed by XTC
"Touch" performed by Daft Punk featuring Paul Williams
"Touch" performed by The Supremes
"(I'm Always Touched By Your) Presence, Dear" performed by Blondie
"One Touch" performed by LCD Soundsystem

November 6, 2015
"Magnolia Mountain" (live-Avatar Sessions) performed by Ryan Adams and the Cardinals
"Morning Dew" performed by The Grateful Dead

"This Is The Life" performed by Living Colour
"Sourpuss" performed by Fishbone
"Everything" performed by Lenny Kravitz
"Blanket On The Ground" performed by Sananda Maitreya-WSPC PREMIERE
"Keep On Running" performed by Stevie Wonder

November 7, 2015
"Elegy" performed by Youngblood Brass Band
"The World Is A Ghetto" performed by War
"Down By The River" (live) performed by Buddy Miles

"The Headmaster Ritual" performed by The Smiths
"Wall" performed by Post Social-WSPC PREMIERE
"Zero Hour" performed by The Plimsouls
"Can't Finish" performed by The Fixx
"Calling All Girls" performed by Queen

November 8, 2015
"Our Little Angel" performed by Elvis Costello
"Jokerman" performed by Bob Dylan
"Your Latest Trick" performed by Dire Straits
"Fiction" performed by Joni Mitchell
"The World Is Not Enough" performed by Garbage

"World Leader Pretend" (live from "Tourfilm") performed by R.E.M.

November 10, 2015
"From The Beginning" performed by Emerson, Lake and Palmer
"Consequence Of Jealousy" performed by Robert Glasper Experiment with Meshell Ndegeocello
"Sheep" performed by Pink Floyd
"The Wreck Of The Edmund Fitzgerald" performed by Gordon Lightfoot
"The Shepherd" performed by Planet P. Project

WSPC TRIBUTE TO ALLEN TOUSSAINT JANUARY 14, 1938-NOVEMBER 10, 2015
"Just A Closer Walk With Thee"
"St. James Infirmary"
"Victim Of The Darkness"
"Working In The Coal Mine"
"It's Raining"
"Sweet Touch Of Love"
"Southern Nights"
"Yes We Can Can"
"Last Train"

November 11, 2015

HAPPY 62ND BIRTHDAY TO ANDY PARTRIDGE
All songs performed by XTC
"Harvest Festival"
"Scarecrow People"
"Rocket From A Bottle"
"Jason And The Argonauts"
"Beating Of Hearts"
"You're The Wish You Are I Had"
"Then She Appeared"
"Earn Enough For Us"
"Pale And Precious" performed by The Dukes Of Stratosphear

November 12, 2015

HIGHLIGHTS FROM "SAVAGE RADIO"
"Turn Me On" performed by The Tubes
"Playboy After Dark" performed by Imperial Drag
"All Lovers Are Deranged" performed by David Gilmour
"Do You Feel Loved" performed by U2
"On The Radio' performed by Cheap Trick

November 13, 2015

HAPPY 70TH BIRTHDAY TO NEIL YOUNG
"Long May You Run" performed by The Stills-Young Band
"Comes A Time"
"Out On The Weekend"
"Cortez The Killer"
"Natural Beauty"

"Everyday People" performed by Jeff Buckley-WSPC PREMIERE

WSPC IN SOLIDARITY WITH PARIS
"I Love Paris" performed by Ella  Fitzgerald
"Blues In Paris" performed by Sidney Bechet
"Florence Sue Les Champs Elysees" performed by Miles Davis
"Le Ballade De Paris" performed by Yves Montand
"The Last Time I Saw Paris" performed by Connie Francis
"Paris Blues" performed by Duke Ellington

November 14, 2015
"NO Colonial Fiction" performed by Yaslin Bey-WSPC PREMIERE
"What's Going On" performed by A Perfect Circle
"Compassion" performed by Todd Rundgren
"City Of Blinding Lights" performed by U2

"I Grieve" performed by Peter Gabriel
"Seven Prayers" performed by Kamasi Washington-WSPC PREMIERE

November 15, 2015
"Magnets" (live on "Saturday Night Live" 11-14-15) performed by Disclosure featuring Lorde-WSPC PREMIERE

"Love Is The Answer" performed by Utopia
"Saltwater" performed by Julian Lennon
"Love's In Need Of Love Today" performed by Stevie Wonder

"Can I Kick It?" (live on "Jimmy Fallon" 11-13-15) performed by A Tribe Called Quest with The Roots

November 16, 2015
"In The Morning" performed by Jefferson Airplane
"Yer Blues" performed by The The Beatles
"Stormy Monday Blues" (live 1996) performed by B.B. King
"Good Morning, Little Schoolgirl" performed by Muddy Waters
"Key To The Highway' performed by Derek and the Dominoes

"Complexity" performed by Eagles Of Death Metal
"Little Sister" performed by Queens Of The Stone Age
"Afraid" performed by Todd Rundgren
"The Warning" performed by Nine Inch Nails
"Sorrow" performed by Pink Floyd

"Drive All Night" performed by Bruce Springsteen

November 17, 2015
"Sing Sang Sung" performed by Air

"Jamaica Jerk Off" performed by Elton John
"The Rainbow" performed by Talk Talk
"One Of Our Submarines" performed by Thomas Dolby
"Suspended In Gaffa" performed by Kate Bush
"Ministry Of Love performed by Eurythmics

November 18, 2015
"Daysleeper" performed by R.E.M.
"I Go To Sleep" performed The Kinks
"Sleepwalker" performed by The Kinks
"Sleeping In" performed by The Postal Service
"Go To Sleep (Little Man Being Erased)" performed by Radiohead
"The Bed's Too Big Without You" performed by The Police
"I'm Only Sleeping" performed by The Beatles

"Sound And Color" performed by Alabama Shakes-WSPC PREMIERE
"Don't Believe In Love" performed by Dido
"No Difference" performed by Everything But The Girl

"Paris" performed by Thundercat-WSPC PREMIERE

November 19, 2015
"Blackstar" performed by David Bowie-WSPC PREMIERE
"Turn My Way" performed by New Order
"Swamp" performed by Talking Heads
"You Don't Understand Me" performed by The Raconteurs
"Karn Evil 9 (1st Impression) Parts 1 & 2" performed by Emerson, Lake & Palmer

November 20, 2015
"What I Say" (live in Oslo 11-9-71) performed by Miles Davis
"The Sparrow Loos Up At The Machine" performed by The Flaming Lips
"In The Wake Of Poseidon" performed by King Crimson

"Swing To The Right" performed by Utopia
"Believe It" performed by Planet P. Project
"(What's So Funny 'Bout) Peace, Love And Understanding" performed by Nick Lowe
"War" performed by Bob Marley
"Africa Talks To You 'The Asphalt Jungle'" performed by Sly and the Family Stone

November 21, 2015
"Hyperballad" performed by Bjork
"The Prophet's Song" performed by Queen
"Ice Age" (live) performed by Dr. John

November 22, 2015
"So In Love" performed by Orchestral Maneuvers In The Dark
"Wait" performed by Wang Chung
"The Working Hour" performed by Tears For Fears
"Sign Of The Times" performed by The Belle Stars
"Shy Boy" performed by Bananarama
"In The Name Of Love" performed by The Thompson Twins
"Looking For Clues" performed by Robert Palmer
"The Politics Of Dancing" performed by Re-Flex

November 23, 2015
"Savior Breath" performed by Foo Fighters-WSPC PREMIERE
"Bagboy" (live 2012 Eden Sessions) performed by Pixies
"Three Mile Smile" performed by Aerosmith
"Go Away" performed by Living Colour
"Tea For One" performed by Led Zeppelin

November 24, 2015

TRIBUTE TO FREDDIE MERCURY: SEPTEMBER 5, 1946-NOVEMBER 24, 1991
All songs performed by Queen
"Radio Gaga" (from Live Aid 1985)
"Somebody To Love"
"Don't Stop Me Now"
"Spread Your Wings"
"Tie Your Mother Down"
"Hammer To Fall"
"The Millionaire Waltz"

November 25, 2015
"Hello" performed by Adele with Jimmy Fallon and The Roots (classroom instruments)-WSPC PREMIERE
"This Time" performed by The Smashing Pumpkins
"Political Scientist" performed by Ryan Adams
"Me" performed by Erykah Badu
"The Chamber Of 32 Doors" performed by Genesis

November 26, 2015

HAPPY THANKSGIVING
"Stuffy Turkey" performed by Thelonious Monk
"Thanksgiving Day" performed by Ray Davies
"Gratitude" performed by Paul McCartney
"Thankful N' Thoughtful" performed by Sly and the Family Stone
"More Peas" performed by The JB's
"Jive Turkey" performed by Ohio Players
"All That Meat And Potatoes" performed by Fats Waller
"Further On Up The Road" (from "The Last Waltz") performed by The Band with Eric Clapton
"Little Birdie" performed by The Vince Guaraldi Trio

November 27, 2015
"The Less I Know The Better" performed by Tame Impala

HAPPY BIRTHDAY JIMI HENDRIX TRIBUTE NOVEMBER 27, 1942"The Wind Cries Mary" (live in Stockholm, Sweden May 24, 1967)
"Valleys Of Neptune"
"Dolly Dagger"
"Who Knows" performed with Band Of Gypsys
"Message From Nine To The Universe"

November 28, 2015
"A Day In The Life" performed by Wes Montgomery

"This Love" performed by Ryan Adams-WSPC PREMIERE
"The Vampyre Of Time And Memory" performed by Queens Of The Stone Age
"Afterlife" performed by Arcade Fire
"Have Mercy On The Criminal" performed by Elton John
"Mercy" performed by Prefab Sprout

"Free" performed by Dam-Funk-WSPC PREMIERE
"Re Run Home" performed by Kamasi Washington-WSPC PREMIERE
"Another Star" performed by Stevie Wonder

November 29, 2015

TRIBUTE TO GEORGE HARRISON R.I.P. NOVEMBER 29, 2001
"All Things Must Pass"
"Love Comes To Everyone"
"Woman Don't You Cry For Me"
"Dream Away"
"This Is Love"
"If Not For You"
"Rising Sun"
"Be Here Now"

"While My Guitar Gently Weeps" (live at George Harrison's Rock And Roll Hall Of Fame induction)
featuring Tom Petty, Jeff Lynne, Steve Winwood and Prince

November 30, 2015
"Love Is Alive" performed by Gary Wright
"Love" performed by Erykah Badu
"Love And Rain" performed by Jeff Lynne's Electric Light Orchestra-WSPC PREMIERE
"Careless Love Blues" performed by Bessie Smith
"My Love Is Winter" performed by The Smashing Pumpkins

NOW PLAYING IN THE SAVAGE JUKEBOX NOVEMBER 2015

"GENESIS"
GENESIS
Released October 3, 1983

"TRUST"
ELVIS COSTELLO AND THE ATTRACTIONS
Released January 23, 1981

"TUNNELS"
MODERN MOD
Released April 21, 2014

"KING OF AMERICA"
ELVIS COSTELLO
Released February 21, 1986

"QUADROPHENIA"
THE WHO
Released November 1, 1973

"AMERICAN IDIOT"
GREEN DAY
Released September 20, 2004

"IMPERIAL BEDROOM"
ELVIS COSTELLO AND THE ATTRACTIONS
Released July 2, 1982

"...ENDTRODUCING"
DJ SHADOW
Released November 19, 1996

"THE EPIC"
KAMASI WASHINGTON
Released May 5, 2015

"SURREALISTIC PILLOW"
JEFFERSON AIRPLANE
Released

"ALONE IN THE UNIVERSE"
JEFF LYNNE'S ELECTRIC LIGHT ORCHESTRA
Released November 13, 2015
NEW 2015 MUSIC: Oh how my childhood was partially defined by the music of Electric Light Orchestra, but more specifically, the music, lyrics and production of Jeff Lynne, an artist who created a sonic universe that made my specialized brand of synesthesia spin and swirl with delight and also fueled by an interstellar imagery that captured my imagination tremendously. Now, for the first time since 2001, Lynne has resurrected E.L.O. yet this time, he is performing essentially all of the instruments and vocals, clearly illustrating that the band was his brainchild all along.

Beginning with the beautiful remembrance "When I Was A Boy," this new album of ten songs flies unapologetically into the face of nostalgia, as Lynne carefully crafts what could essentially exist as ten singles that work in tribute to the artists that shaped his music. The ghosts of The Beatles, most certainly are present (the "Ringo thud" of the drums throughout the album are unmistakable). But in tracks like "Love And Rain," "Dirty To The Bone," "All My Life," and "I'm Leaving You" for instance, the spirits of B.B. King, Carl Perkins, and Roy Orbison also make for welcome friends and guests.

While the album is a tad more on the slight side, and all of the grandiose concepts and double albums have been left behind, "Alone In The Universe" is a warm gift to hear Jeff Lynne's musical voice again after so many years of working behind the scenes.

"SAINT CECILIA EP"
FOO FIGHTERS
Released November 23, 2015
NEW 2015 MUSIC:  No Foos, thank you!!!
In this age of surprise releases, the latest effort from Foo Fighters was a most welcome one...and FOR FREE, no less. Designed as a "Thank You" to fans, "Saint Cecelia" is a slam dunk five song EP that encapsulates the entire musical history of the band with high energy and superior musicianship. Where the title track already sounds like a classic FF single, I especially loved the hard charging, slightly off-kiltered "Sean" and the voluminously accelerated and updated punk rock of the ridiculously titled "Savior Breath." 

"I TRAWL THE MEGAHERTZ"
PADDY McALOON
Released May 27, 2003

MODERN MUSICIAN: A CONVERSATION WITH MODERN MOD'S ALIVIA KLEINFELDT-SIDE FOUR

SIDE FOUR: THE "SPEED ROUND," THE FUTURE OF MODERN MOD, THE BEGINNINGS OF DASH HOUNDS AND FINAL THOUGHTS

How about a little bit of a “speed round” for you. Who is your favorite artist or band and why?

Paul McCartney, hands down. I, like practically everyone else I know, grew up listening to the Beatles, but I never really paid a ton of attention to their music, or anyone's for that matter. But, when I really got into music, I watched a special on the Beatles and Paul inexplicably was my immediate favorite, and I pretty much decided that day that I was going to be a bassist. I guess it took me until I became a musician and songwriter myself to realize why he was my favorite all along. His bass playing and sound is iconic and is a huge influence for me, not to mention his vocals and overall songwriting, and his natural ability and love for the stage. I could talk about him and his music all day. He’s got my vote for the greatest pop songwriter of all time. Also Wings was great.

That answer thrills me. You just hit me right in my hearts of hearts! Who do you feel is extremely underrated artist?

Either Alice Cooper, or the guy who inspired him: Arthur Brown. The Godfather of Shock Rock and the God of Hellfire! Neither of them got as much attention as I think they deserved.

How about the most overrated artist?

I feel sort of bad to say it, but I have to go with The Eagles. I was just never interested in their music.

Well…that one hurt a little bit. But, I’ll let it slide for now. Just kidding. No worries whatsoever. Is there a musical trend that you feel needs to vanish and very quickly?

Songs with a group of people yelling “Hey.” I don’t know why, it just bothers me.

That’s funny…and quite true. I can go for that one. How about the opposite…what is a musical trend that either needs to stay or even return?

Crooners, especially slow pieces backed by an orchestra. Props to Michael Bublé!!

Wow! Now, I have to say that it is interesting to me how you hold an affinity to crooners and Brendan Manley wishes for the return of big band jazz. To what would you attribute this similarity?

I am not really sure actually but it is pretty awesome!

What are your most cherish desert island albums?

Hmm, how many should I choose? I’m going to go with 5 if that’s alright. I’d go with “Paranoid” by Black Sabbath; “Abbey Road” by The Beatles; “Fleet Foxes” by Fleet Foxes; “Band on the Run” by Wings; and “Louder Than Bombs” by the Smiths.

 

Excellent selections. Just great! Now, let’s return to you and Modern Mod. Despite all of the attention, higher profile shows and that momentum we spoke about earlier, that sense of change remains as well. Cal Pocernich departed the band this summer and his role has since been filled by Guitarist Henry Stoehr. All of the band members possess additional interests and artistic ambitions, including yourself, and we’ll get to that in a moment. While nothing has been formally announced or even floated publicly, is there any reason that you think Modern Mod should or could disband?

We aren’t entirely sure what’s next for us yet. Like several other past members, this is my first band that I’ve been in. We started as middle/high schoolers, and evolved not only as musicians but as people in general. Tastes and interests have, and continue to change, which is why several band members changed along the way. We’ve learned an immense amount about music and what it means to be in a band, and we have met and connected with so many amazing musicians. But I think for all of us, Modern Mod has been a fantastic starting point for us all, and a great introduction to the music industry. It’s unbelievably surreal for me to think Modern Mod might not be my main musical project in the future because it’s been my life for the past 5 years, but it’s really just the beginning for all of us.

I was curious, especially as you look to your musical future and in regards to all of the other instruments that you are able to play, would you like to incorporate those additional sounds into any future music?

I do, and in fact already have been! In Brendan’s and my new project, Dash Hounds, he and I write, play, and record everything ourselves. We have so much freedom in our writing since, aside from me not knowing how to play drums (yet), we can both write on any instrument so we can perfect each part together. We are really going to experiment with layering in our new music too, so a wider array of sounds will come in handy.

Could you please explain the origin of Dash Hounds, including the name, and your hopes for this project?

So, it pretty much started as my solo project because I was writing some music for myself that I wanted to do in a different style than anything we were doing in Modern Mod. With that intention, I asked Brendan if he’d be interested in backing me up and recording drums for me, but I still wasn’t extremely confident in myself to be able to go solo. I told him that my biggest problem was that I can start a million ideas and get a verse and chorus down and love every bit of it, but for the life of me, I cannot finish a song. But, he’s the opposite, and loves to arrange music and make final products, so we decided that we should make it a partnership, and that’s how the duo formed.

I showed him a few of my song ideas, and we’ve since taken those ideas and made almost complete overhauls of them, creating a new and greatly improved final product that’s completely ours. We are mostly writing new songs from scratch now, and I’m so excited about what it’s becoming. We’ve only completed a few songs but we are really pushing our creativity with every single one and are so excited to see what will come of it. I personally am working very hard to develop my personality as a vocalist and to be a more thoughtful lyricist, because the role is new to me and I have a lot of things that I want to be able to say. It’s going to be a lot less light-hearted at times than anything I’ve previously done, because it’s going to be my outlet for things I’ve not necessarily felt able to say or do before. We just really want to make something we are proud of, and experiment with new styles to be able to create the most accurate representation of who we are. We don’t necessarily know what “genre” we want to be yet, but we definitely aren’t going for anything in specific.

And we got our name from spending days of constantly shooting out random name ideas, and finally after we temporarily gave up, I said “Dash Hounds” and we both kind of liked it, then thought about it more and more and it just stuck. For some reason I’d always thought it was funny to call the dog breed "dash hound" instead of dachshund, so something prompted me to remember that and bring it up.

You have instantly intrigued me and I am very anxious to hear whatever you and Brendan have been creating together. Let me know when it’s all ready! But for now, I think we just may have reached the end. Thinking about everything you have experienced so far, and all that we have talked about, what are your grandest hopes for your musical future?

My ultimate goal is to get to a point where I can comfortably live as a working musician. I’d absolutely love to be in a well known band someday, y’know, tour the world, play festivals and Orpheum-sized venues in all different cities, get the glamorous perks that come with a large following and support. I definitely wouldn’t turn that down. But, really as long as I can keep writing music that I can fall in love with, and can get it out to the world, whether anybody listens to it or not, I’ll be happy. I know I’ll be doing music in some capacity for the rest of my life, and that’s the most comforting thought I can have.

It is an attitude of this sort, so clear, pure and gracefully filled with a healthy perspective, that makes Alivia Kleinfeldt the very type of musician that I feel the genre of music sincerely needs more of. Her enthusiasm towards performing is unquestionable, her affection for her bandmates is genuine and sincere and the joy she receives in the discovery that arrives with composing and recording is fully infectious and exists without even a drop of jadedness.

Modern Mod performing at Freakfest-October 31, 2015

Since the completion of our conversation, Modern Mod delivered what was reportedly a triumphant live performance from the main stage at Madison’s major outdoor Halloween festival, Freakfest. Since then, Guitarist Cal Pocernich just may rejoin the band for some more shows in the near future.

Dash Hounds live at Bright Red Studios-October 30, 2015

As for Dash Hounds, their first song, entitled “Idee Fixe,” and composed for a short independent film, has debuted upon their Soundcloud page, and it was truly a surprise as its eloquence and moody atmospherics have created a haunting spell that lingers strongly. And finally, as I reported at the start of this month’s activities upon this site, I was thrilled to have been a witness to Dash Hounds’ debut live performance, which was a brief four song set, confidently performed and executed and entirely made me anxious to hear whatever arrives in the future.

I sincerely hope and wish that for all of you who have taken the time to read this extensive interview have been inspired. Trust me, for I would never steer you in the wrong direction. Alivia Kleinfeldt's music with Modern Mod is bouncy, fun, richly melodic, undeniably romantic, superbly composed, arranged and performed power pop that I believe would delight your ears and make for infectiously repetitive listening. I invite you to check out any of the sites listed below and I hope that you become as enraptured as I have been all year long.

She’s the real deal. Now you can find out for yourselves.

MODERN MOD can be found upon
FACEBOOK
SOUNDCLOUD
BANDCAMP
music videos for “Monday Mornings,” “Tunnels” and “Papercuts” can all be viewed upon You Tube

DASH HOUNDS can be found upon
FACEBOOK
SOUNDCLOUD

MODERN MUSICIAN: A CONVERSATION WITH MODERN MOD'S ALIVIA KLEINFELDT-SIDE THREE

SIDE THREE: VISUAL AESTHETICS, PERFORMING LIVE 

AND GENDER POLITICS

There seems to be a strong visual component to the overall aesthetic of Modern Mod from music videos, photo shoots and the like. Was that intentional?

It’s pretty unintentional actually. We, for the longest time, had been going back and forth on finding a certain “look” and we struggled to figure out anything cohesive, so we just sort of had a general consensus on when we should look “nice” or just to wear whatever we want, and it sometimes wound up working pretty perfectly that we’d match. For the videos and shoots, we usually would bring a lot of clothes and decide what in our wardrobes would go well with everyone else’s, so there’s a little more planning in situations like that.

On the set of the "Papercuts" music video-November 2, 2014

What was it like to shoot your music video for “Papercuts”?

Shooting the music video was a ton of fun, but very, very cold. That happened with our “Monday Mornings” music video too; we never fail to choose the coldest days. But, it was a really cool experience, just messing around at the top of a parking ramp with some friends and making a video out of it.

The fun certainly translates! Now, how about that television commercial that premiered this summer? Very cool!!

The commercial was again, just making a video of us goofing around, so that was a lot of fun as well. The directors had some ideas planned for us to try out, but mostly just let us do our own thing. I’d always wanted our music to be in a commercial, so it was a plus that we were in it too! It was filmed for an eyewear event at a store in my hometown of Verona, so I was pretty famous around town for a while –haha!!

Returning to live performance for a bit, what is your favorite song to perform live and why?

It’s hard to choose since it changes pretty often, but I’d say as of right now I really enjoy playing “Papercuts” because it’s a fun, bouncy, upbeat song and it’s one of my favorite bass lines I wrote. It’s just a really easy one for me to get into when performing.

Outside of Madison, where has Modern Mod performed? Favorite show? Worst show? -We’ve played a few times in Milwaukee, Appleton, Eau Claire, and we’ve also played out of state in Minneapolis and Chicago. My favorite show was this past spring when we played the Rathskeller. It was one of our biggest crowds, and it was Emily’s sister’s birthday, so we invited her up to sing “Come Together” with us and everyone really got into it.

I’m not sure if I have a “worst” or least favorite show, but several times, my strap locks have failed and I’ve almost dropped my bass on stage, and at a recent show I snapped a bass string during our first song, but luckily someone lent me their bass.

What does it mean to you to be a working musician in Madison? Pros and cons?

Madison has been so supportive of us, especially since we started so young and weren’t old enough to be in most venues. We were given a ton of opportunities to grow and develop as musicians, and I feel like people really gave us a chance despite our age. It was really difficult to get our friends out to shows most of the time because we were playing in 18+ or 21+ venues, and even if it was an all-ages show, most kids didn’t go out on school nights. It was harder for me in particular because all my friends had to travel from Verona to Madison somehow since there are no venues in or around Verona.

Modern Mod performing live from WSUM-FM studios-Summer 2015

You have also had the opportunity to perform live on the radio. What is that experience like compared to a regular concert?

We’ve played a few times on the radio and you need a whole different kind of focus since it’s all about the music itself. No distracting from my mistakes! But, I think it’s a nice change of pace and we can just really focus on each other.

You literally brought the house down at the legendary First Avenue club in Minneapolis!! All kidding aside, I was stunned when I heard the news of the ceiling collapse the morning after Modern Mod had just performed there. What was that whole experience like for you?

It was crazy! First of all, the whole venue is historic. The walls are lined with the names of some of my all-time favorite musicians that played there, including Prince, who made the place pretty famous. We got to play at the smaller venue, 7th Street Entry, which kind of reminded me of a few really cool venues I’d seen in New York.

This was night one of two for us playing with the bands What Tyrants and Stereo Confession, both great bands out of the Twin Cities, and another band Brendan and I had been fans of for a while, Fury Things, opened the night. We played second and the crowd was very receptive of us for being an out of town band, which was so nice because you never know what you’re going to get in another place, but the Twin Cities has an amazing music scene that seems very supportive as well.

But, things got crazy after Stereo Confession started. Their set was cut short by the sound engineers and the venue’s security guards were telling everyone to evacuate the building immediately. I thought it was part of an act at first, but it turns out a water pipe broke in the ceiling at 1st Avenue and pieces of the ceiling collapsed. Luckily, only about three non-serious injuries occurred, but there were cop cars, firetrucks and ambulances lining the street, and it was very hectic. As we were leaving, a security guard ran after to me to assure me that this has never happened before and that he loved our set, so that was pretty sweet.

It’s pretty wild we got to be part of a night that made national news. Also, we went to a Perkins for breakfast at 1am, and the waitress kept sitting down at our table with us to hide from her boss, so it was the perfect cap to one of the strangest nights of my music career.

I should think so! I remember hearing the news the morning after and just thinking of you and the band having been there the night before, wondering if all of you were alright. I’m glad that you were all OK. With all of our talk about live performances, I feel compelled to ask you about some gender politics.

As a young woman who performs in a mixed gender band as opposed to the typical all male band, have you ever personally encountered any discriminatory oddities or treatments (either large or small) when performing live? Have you perceived any differences that you otherwise would not experience if Modern Mod was an all male band?

It’s definitely not the same to be a girl or woman in a band. We’ve experienced our share of unique treatments, from “compliments" about how surprised people are that we can actually play instruments so well, to uncomfortable sexual remarks, and flat out discrimination from people in the industry.

We entered a battle of the bands contest and were treated so poorly by a judge and the organizers, and from them, we received nothing but condescension, illegitimate criticisms, and an overall sense that we weren’t wanted in the competition.

What happened?

We were supposedly disqualified- although we were never officially informed of it- for a stunt we specifically cleared permission for, although a guy in the winning band also did the same thing. It left such a disgusting taste in our mouths to feel more than deserving of at least some sort of rank in the competition. But instead, we had to listen to a judge talk mostly about our appearance, how we basically are the band The Go-Go’s, and receive “You’re just not there; there’s just something that’s not there” as our only criticism. And as 14 and 15 year olds nonetheless. That was an extreme case of sexism we experienced, and sadly we aren’t the only ones who’ve gone through the same.

I feel like there’s a different set of expectations for a female musician, a lot having to do with appearance and attitude, but also more assumptions made on our capabilities, such as people assuming that it’s not actually us playing our instruments on our recordings. I could go on forever because this topic is incredibly important to me, I definitely focused more on the negative here since it’s still a prevalent issue. But I want to say that I absolutely love being woman in music. We’re overall in such a supportive community and I am very motivated from both the negative and positive aspects that my role comes with.

You know, taking the time to address the issues that you have been faced with personally I really think could go a long distance in creating a larger understanding of these specific issues within the music industry. Since this is your forum, is there any advice to other musicians (female and male) about how to persevere within the industry regarding the discriminatory treatment of female artists and musicians?

My best advice to everyone is to take a moment to really think about the comments you may make to or about a female musician, or any musician for that matter. Think about if they are appropriate and legitimate-meaning they’re not degrading the artist based on their physical appearance, and they’re not taking down a whole group of people to “compliment” just one person. “Chick bassists are so hot” and “Usually girl bands suck but you were actually really good” are both unwanted, generalizing comments I’ve received, and although they’re trying to be complimentary, they’re still offensive and/or uncomfortable to hear. The best thing to do is just to think about if your compliment to one person comes at the expense of another, and that it’s not likely going to make the person uncomfortable.

And as for the girls and women dealing with sexism in music, there are many ways you can handle these situations, it just depends on what makes you feel good and comfortable. You can try to confront anyone giving you a hard time, or try to help them understand what they’re doing that’s hurting you and/or any other women. But do what makes you feel better about the situation. Sometimes you just can’t win with certain people, but never, ever give up on your musical dream because there is such a strong support system out there, of men and women, working together to support female musicians.

 

Stay tuned for the fourth and final installment of this exclusive series as Alivia takes on the Synesthesia "Speed Round," addresses the future of Modern Mod, speaks about her new band Dash Hounds and shares some final thoughts.

MODERN MUSICIAN: A CONVERSATION WITH MODERN MOD'S ALIVIA KLEINFELDT-SIDE TWO

SIDE TWO: RECORDINGS, SUCCESSES 

AND THE EVOLUTION OF MODERN MOD

Now, we arrive with your debut album, “Tunnels.” Congratulations to you and the band for created such a finely crafted album!!! What was the experience of recording the album like for you?

Recording “Tunnels” was one of the most trying, yet exciting and rewarding things I’ve ever done. I learned how long and difficult a process making an album can be, but it was some of the most fun I’ve ever had. When we initially tracked all of our songs, we were at the Exchange studio in Milwaukee, where we saw a picture of David Bowie recording exactly where we stood, which was surreal. We stayed in Milwaukee for two nights, and on the second night, we slept in the basement of the studio, which ended up to be so cold and uncomfortable, but we all for some reason wanted to do that so it was just part of the learning experience.

What was the easiest song to record? The most difficult?

I don’t really remember what was the easiest song to record. They were all pretty difficult to me because I put too much pressure on myself to make each take perfect. I ended up psyching myself out, and I learned how unnecessary that was. I remember that recording “Papercuts” was a bit of a disaster because we had started and finished it about a week before we went into the studio, so it was barely rehearsed and the structure was confusing. That was the last song we recorded that night and we felt like giving it up, but I think we tried it again the next morning and then we were able to get it done and perfected.

I’m so glad that you stuck with it because it really is one of the highlights of the album. And it really did pay off in the end as “Tunnels” has received considerable attention and not just in Madison. What has it been like for you to know that there are people and fans as far away as California?

Yeah! Someone at Stanford’s radio station liked the album and wrote a really fun cat-themed review of it, rating each song with “MEOW’s” instead of stars. It’s very exciting to know people you’ve never met are enjoying your music. It’s a hopeful feeling.

And then, there are the two MAMA awards the band won this summer. Congratulations to that! What was that experience like for you?

The Madison Area Music Awards were great! We got to dress up and cheer on our fellow Madison musicians. We were pretty convinced we didn’t have a shot at winning, and were surprised to even be nominated in the first place. When we won the first award, we were sitting in the top balcony, and when they called our name, we immediately started sprinting down to the stage. It was a huge honor to receive awards for the something we took so long on, and I’ll always be proud to have contributed to an *award winning* album as a high schooler.

It feels as if the band is experiencing a certain momentum, especially with its current lineup. Would you agree or disagree?

Yeah for sure! I think especially with winning the MAMA awards and continuing to book shows and get radio airplay around Madison lately, that has all really helped us get some more local attention. The current lineup has gelled exceptionally well and we continue to write material that’s further and further away from the band’s origin, and I'm really excited about what our next EP is going to sound like.

Speaking to the current lineup of Modern Mod, how do you feel that the band has changed during all of the personnel comings and goings, if at all?

We definitely have gone through many stylistic changes. Mostly it has just expanded our musical variety because every new member we have has a different musical background and influences, so it’s always refreshing to write new songs with someone who has a fresh and unique approach to writing. Every member, past and present, has had such distinct styles and contributions.

Could you please spend some time telling me about the current lineup and how you feel they have all contributed to Modern Mod and how they compare and contrast with the original members?

Emily Massey (lead vocals, guitar): Emily’s voice is Modern Mod. She’s got this airy, innocent, but far from timid quality that complements, if not makes, every song of ours. No matter the lyrical content or song style, she can perfectly convey whatever she wants to say. She came into the band with our debut album completely written but not yet recorded, and did an amazing job at reinterpreting all of the songs and really putting a standout, natural personality into the album. She’s always been great at the onstage banter and working a crowd, and is purely fun to watch and perform with. When she joined, our live show became the most fun it’s ever been; I remember the first show she played with us, the rest of the band ended up watching her a good amount of time because she brought this live energy we had never experienced, which then pushed us to match that. Plus, she is the style queen and taught me practically everything I know about fashion.

Cal Pocernich (guitar): Cal introduced me to most of my favorite current music, for which I am eternally grateful. But, his playing and writing style are very 90’s alt rock which I absolutely love. He is one of the most creative musicians I’ve ever worked with; he can take a basic idea of mine and transform it to something I’d never think of, and I almost always end up liking what he comes up with so much more than my original idea. Cal has always pushed the rest of us to be less conventional, which took me until this year to realize how important that was/is, so he has been such a positive influence. He’s got such a serious, aloof persona and people are always drawn to him, but I can always get him smile at me on stage whenever he or I mess up, so that’s something to look forward to whenever I do something wrong, but I love it.

Brendan Manley (drums): Brendan had a really tough role to fill, because the new drummer slot was replacing the co-founding member, primary songwriter, and my best friend, so he or she had to be darn good. But, wow, is he incredible! He brought our energy level up a whole heck of a lot, and we’ve since gotten even more of an edge to our music, enabling our experimenting with more punk and heavy psych as of late. It took Cal, Emily, and I several months to find him, and before then we were struggling to write as a trio, but once Brendan joined, our creativity level was higher than it had ever been. We never, ever “jammed” as a band until he joined, and it was insanely fun to do that for the first time. We can always connect and come up with some really awesome stuff. Once he joined, we began writing songs collectively instead of one person writing a majority, so it was a huge change of pace but works perfectly for us four.

What is a “band” to you? There has been this consistent issue within rock music definitely, that if one member departs a band, then the “band” as it is known ceases to be. With all of the lineup changes in the band and since you are the sole original member remaining, has the concept of Modern Mod changed for you? What do you think is the identity of Modern Mod?

I think that a band can still be a band after a member change. It just marks a different stage in the music they create; it’s all part of its evolution. Even though Modern Mod has gone through 2 name changes and 6 or so lineup changes, I still consider it the same band because we still played the same songs. I think our identity is in our light-hearted, purely fun music and live show, and that has always been the underlying feel, and naturally too with every member's demeanor. Each new member brought a different energy and a whole new element to our writing process, but we’ve always been focused on having fun and enjoying what we do.

Stay tuned for Part Three as Alivia discusses making music videos, her adventures with live performances as well as a compelling look at her vantage point with gender politics within the music industry.